Posts Tagged Vietnam Folk songs
Xoan Singing
Posted by Thanh Vu in Traditional Art, Vietnam Culture on December 18, 2009
Xoan singing is a folk cultural product of Phú Thọ province. The last point of time that Xoan accompany still sang in communal houses of the villages in spring was in 1945. Fortunately, we still had an opportunity to meet singers and instrumentalist who used to sing in the Xoan accompany in the old days when we conducted to investigate, study on Xoan singing in the late August.
It can be said that Xoan singing is still engraved in the memory of folk artists who up to now can perform it in the communal house whenever having the festival. Previously, the Xoan singing belonged to fourvillages , An Thái, Thét, Phù Đức and Kim Đái of Hạc Trì district, Phú Thọ province. After the innovation, An Thái village belongs to Phượng Lâu, Việt Trì city, and Thét, Phú Đức and Kim Đáivillages belong to Kim Đức, Phù Ninh district, Phú Thọ province. According to folk artists, of those fourvillages , the singing style of Xoan accompany of An Thái village is similar to that of Thét village and Phù Đức village similar to Kim Đái. However, it is the difference of order of repertoire, words and the number of dancer, etc, that also creates the own style of each village.
Cai Luong (Renovated Opera)
Posted by Thanh Vu in Traditional Art, Vietnam Culture on December 18, 2009
Cai Luong (Renovated Opera) appeared in the southern part of Vietnam in the 1920s. This relatively modern form combines drama, modeled after French comedy, and singing.
Scenes are elaborate and are changed frequently throughout the play. Cai luong is similar to the Western operettas and more easily depicts the inner feelings of the characters. Songs of the Cai luong are based on variations of a limited number, perhaps 20, of tunes with different tempos for particular emotions – this convention permits a composer to choose among 20 variations to express anger, and as many to portray joy.
The principal supporting songs in Cai Luong is the Vong Co (literally, nostalgia for the past). Cai luong owes much of its success to the sweet voices of the cast, much appreciated by the audience. Upon hearing the first bars of the well-loved Vong Co, the audience reacts with gasps of recognition and applause.
Cheo Opera
Posted by Thanh Vu in Traditional Art, Vietnam Culture on December 18, 2009
Cheo is a form of popular theatre in Vietnam that has its roots in ancient village festivals.
It consists of folk songs with pantomime, intrumental music and dances, combined with instructive or interpretive sketches dealing with stories from legends, poetry, history or even daily life. Also brought into play are acrobatic scenes and magic. Cheo tells tales of chiefs, heroes and lovely maidens and offers an eclectic mix of romance, tragedy and comedy.
Traditionally Cheo was composed orally by anonymous authors. Today’s playwrights compose cheo operas along traditional lines : the characters in the plays sing time-tested popular melodies with words suited to modern circumstances.
The costomes, makeup, gestures and language create typical characters familiar to every member of the audience. The props are simple. As a result, there is a close interchange between the performers and the spectators.
Lullaby Songs
Posted by Thanh Vu in Traditional Art, Vietnam Culture on December 17, 2009
Lullaby songs are a sort of folk music often heard in Vietnam, especially in the countryside. They are used not only to lull small children to go to sleep but also to express human feelings such as homesickness, wife missing her husband…
Rarely do the songs express direct feelings towards the child the singer may hold in her arms.
o au o. The lights in Sai Gon are green and red,
The lamps in My Tho are bright and dim,
May you go home to read your books,
I shall wait nine months, I shall wait ten autumns,….
Vietnamese lullabies often consist of two or four six-to-eight meter lines. They are usually based upon a characteristic frame of melody, and use slow, free rhythms. They also contain many inseted words such as “au a”, “o”, “hoi”…
au o. The wooden bridge is bound with nails,
The bamboo bridge is rough and difficult to cross…
As the function of a lullaby song is to make the child slowly fall into sleep, the song is quiet, the tones stretched and melodious. Perhaps that is the reason why there is little dialogue between the mother and the child.
In the autumn wind Mum will lull you to sleep
I sit up during all the five watches of the night…
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